Ashsha Kin (Composer)

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FEATURED FILM and TV WORK

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RUSSELL’s NOT VACCINATED: A Big Pharmaceutical Horror Story (Scene)

PLOT SUMMARY: "Russell Brand", an actor, free speech advocate, and renowned podcast host, is plagued by demonic nightmares offering a sinister "vaccine". He seeks help from a psychiatrist whose true intentions are darker than his dreams.

I was responsible for the music composition, sound design and audio mix for this short film (horror, comedy, parody).

((( coming soon to Prime Video, and other streaming platforms )))

THE MASK: SALEM CHAPTER - Coming in 2026!

PLOT SUMMARY: A mysterious mask takes hold of a man in a weaken depressed state, offering a euphoric high that quickly becomes addictive. As the mask brings out the darkest impulses, the man is unaware that his blissful experiences are actually gruesome acts of murder. Each time the mask is removed, he suffers from a debilitating hangover, compelling him to put it back on. The cycle continues until the mask ultimately consumes the wearer's soul, leaving them forever trapped as part of its sinister legacy.

Written By: Nicholas Zarrillo

((( currently in pre production )))

A LINE IN THE SANDBOX - Coming in 2026!

PLOT SUMMARY: Rafael Peralta, a dedicated U.S. Marine, navigates the harrowing realities of war in Fallujah while reflecting on his life and family back home. As he leads his platoon through intense combat, Rafael's bravery and selflessness come to the forefront, culminating in a heroic act that saves his fellow Marines but costs him his life. His mother, Rosa, grapples with the loss and fights to ensure his sacrifice is honored, leading to the christening of a naval ship in his name. The story intertwines the brutalities of war with the emotional struggles of a family, highlighting themes of duty, sacrifice, and legacy.

Written By: Michael Barder

((( currently in pre production)))

C O N T A C T

ABOUT

I have been writing electronic music since I was about fifteen years old. My influences draw heavily from synth pop, gothic rock, 80’s new wave, dance, electronic ambient and cinematic styles. I have also forever been inspired by the music of film. There is a freedom in cinematic music composition that is unique, where the composer can intentionally blend styles and sounds from different genres to “create” the perfect score for the picture.

I have spent many years writing music for various different projects and platforms, learning the craft, and mastering the tools needed to produce great music. With over 20 years of production experience, I am finally in a place where I could be valuable to a film.

For me there is no greater artistic collaboration than composing music for film. The composer that supports a film carries with them a responsibility that cannot be expressed in any language. It is the music that binds the pictures to the story and provides the visual landscape with the sonic materials from which we build imagination.

““I am finally in a position where I can be valuable to a film.”
”